Theory of Writing

I changed schools annually as a child, but there was something about St. Sylvester School in Brooklyn, NY. It was my favorite. In its ancient, funky charm, St. Sylvester’s opened me to a world of new circumstances, including writing in cursive. Fresh, blank manuscript workbooks were distributed monthly. It’s an old story for Catholic school kids: You attend mass every Tuesday morning and you lug around a 2-pound- manuscript workbooks. When Mrs. Belen plopped the workbook in front of me, hearts appeared in my eyes and my tongue lulled out my mouth, Looney Tune style. I had already developed a love for manuscript and writing from my previous year at catholic school, but this time I felt evolved. I completed every assignment with precision, becoming quite fond of the swirly letters of cursive. My 7-year-old mind considered writing cursive an art—I practiced my craft with passion. From then on, my love for physically writing turned into a love for the writing of all styles. Over time, I have been able to learn certain strategies that help make my writing process more elaborate. Throughout the semester, we have learned about several key rhetorical terms that were meant to develop our writing skills, however, in developing my theory of writing, the rhetorical terms that have helped me the most are the audience, purpose, medium, stance, and language.   

In my writing process, these strategies have helped me form a proper voice. It is also helpful that several of these strategies go hand in hand. For example, audience and language correspond in the same nature, as the audience helps me decide, as a writer, what language is best to use. For my Two Genre Composition, my target audience was adolescents, so I knew that I would be able to use modern lingo and be confident that they would be able to comprehend. I also found that when I determined the purpose of my writing, I was able to easily conjure a thesis and outline for whatever I was writing, mostly because I knew my intentions.   

The medium was a strategy that I was previously familiar with through art lessons, but it never registered that it could be also applied to writing. Throughout the semester, our class was given a chance to engage in various mediums of writing, which was extremely helpful. The New York Times Op-Eds are a perfect example, as many of the authors featured displayed a charming, unique writing style. Choosing a specific medium for some of the writing assignments was interesting because it let us stray away from the typical essay format of writing.   

Things changed in middle school when I was conditioned to never use the word “I” in an academic essay. I would drool every time I wrote a sentence that started with “I”. Eventually, I became properly trained and never used the word in my writing. Although, I did become particularly uncomfortable with using my voice in my writing. In this class, we were presented examples of writing that held academic format and still used the word “I”. I was introduced to writers who used jokes and other non-formal techniques in their writing, which made me more comfortable in exploring my writing capacity. The idea that I can evolve my writing and express my thoughts in various ways makes me feel like I am back in Mrs. Belen’s class receiving my chunky manuscript textbook.   

Two Perspectives on Brazilian LGBTQ+ community

Brazil has an adolescent population of over 34 million. (Gonzalez-Jimenez) This statistic does not include the country’s LGBTQ+ population, however, data shows that 28% of all deaths within the LGBTQ+ population were people aged under 18. (Gonzalez-Jimenez) This rate is quite alarming has a connection to the homophobic and transphobic prejudices within Brazilian society. People need to be conscious of these fatal statistics because the first step to prevention is awareness. Brazilian LGBTQ+ adolescences deserve to be recognized and treated with morale. To best communicate to this audience, I chose two genres from social media platforms: Instagram and YouTube. Social media has gained momentous popularity amongst people of all ages but holds more importance and usage for adolescents. However, social media acts as an outlet for people to express their opinions, no matter how derogatory it can be. Ultimately, social media can be both negatively and positively influential on the subject of homophobia.

Memes are a recent significance in internet culture and serve more purpose than just entertainment. (Nissenbaum) Memes are used for purposes such as emotional expression, community building, and political protest. They both represent and construct social perceptions. (Nissenbaum) My intended audience is very familiar with meme format and will get the intended message of it. Whether or not they agree with the message portrayed in the meme is arbitrary, but the specific Brazilian cultural setting is highlighted. 

I chose to search for a profile dedicated to memes, more specifically memes about Brazilian life and culture. The profile page is called brazilianmemesnetwork, constituting over one hundred thousand followers. Almost all of the posts are in Portuguese which shows that it was solely created to poke fun at some trends within Brazilian culture and lifestyle. It did not take long to find a post that pertained to LGBTQ+ individuals in Brazil, but the content within the post demonstrated the rampant homophobia still flowing within Brazil.

 The post consists of a meme that compares a homeless man to a gay man, with a caption stating, (translated) “Inscription beggar in full swing!” Within the meme, it says “Mendigo de antigamente” and “Mendigo de hoje em dia” which translates to “Old Beggar” and “Modern Day Beggar” The meme insinuates that gay men exploit themselves and solicit openly for money. There are thousands of comments under this post that affirm this idea. “Verdadeeee”, one commenter posted under the photo, while receiving 20 likes. This highlights the financial restrictions LGBTQ+ individuals face due to their identity. Inherently, some may have to succumb to “begging” or soliciting due to the inability to have a typical job or have a place in the Brazilian workforce. This is an offensive stereotype that is tied to the LGBTQ+ group, more specifically gay and trans people. 

The profile user did not think about how this post contributes to the harmful stereotypes inflicted upon these individuals, which clarifies their stance as opinionated and biased. There is toxicity about social media, due to the freedom people have to express their unwarranted, insulting thoughts. However, several Instagram users came to the defense of the LGBTQ+ community by highlighting the blatant prejudice occurring in the meme. This shows that there can be some good in having an open platform, such as Instagram, where one enlightens the insensible. Although the meme has homophobic undertones, it can still positively shed light on this unfair stereotype and make people aware of ignorance. 

         YouTube has a huge platform solely dedicated to storytelling, which many users have connected to because most of these people are everyday people that can be related too. Users and watchers find a connection in that and can compare or contrast their own experience in whatever topic that is. 

In a video titled “ Coming Out Twice As A Gay Brazilian,” Kelvin, a young man from Brazil, discusses his double instance of coming out to his family, one of which was not intentional. After being outed by another family member at 14, he immediately tried to hide his sexual orientation by pretending a girl friend was his partner. He discusses how it is genuinely shocking for people to come out and be openly gay in Brazil, so it made his experience quite limiting. From then on, Kelvin became more persistent in trying to hide his identity to please his family. However, he could not keep up the front any longer and moved to New York City, where he had complete freedom to truly be himself. He found amazing friends, a fulfilling job and a fun lifestyle, which was the complete opposite of his life in Brazil. Things took a turn when his mother discovered him in a seductive music video. After her confrontation, he refused to hinder his identity and sincerely came out to his mother, in which he eventually garnered her support.  

His story is extremely inspiring and provides an insight into the direct discrimination that occurs within Brazil for LGBTQ+ people. Many people who are in the closet are terrified of being true to themselves because of how judgmental society can be in terms of sexuality. As a gay man, Kelvin’s stance is supportive and shows others that he is not alone. Also, by allowing his story to be on YouTube, he is providing millions of people with access to his story. It can be uplifting to see this person share their experience so openly, as many people have a similar occurrence.

Inquiry-Based Essay

GENDER AND SEXUALITY IN BRAZIL

On the issue of gender discrimination and rights for queer people in the context of Brazil, there is a divide in freedom for LGBTQ people. Although there has been some effort to create policies in favor of the LGBTQ community, LGBTQ individuals are still subject to rejection from larger hegemonic systems. The government of Brazil has been acting towards cultivating the civil rights of the LGBT community. More specifically, these rights are expected to defend the members of these communities from social stigma and discrimination, which come as a result of their sexual orientation and gender identities. As a result, the government of Brazil constantly makes various attempts of guaranteeing that the representatives of LGBT population have the ability to exist openly and deprived of any violence and stigma, and accept equal civil liberties, individual independence, and freedom of expression. Nonetheless, the question of why is violence and discernment against LGBT community is widely spread in Brazil still stands. The primary objective of this research paper is to establish and assess the difficulties that the LGBT minority groups and trans-women in particular face in Brazil at the modern day, as well as introduce certain solutions to these challenges.

In the course of the last ten years, the administration of the country significantly addressed issues that the LGBT minority groups face with regard to their equality among the general population. On a national level, a vast majority of these improvements was a result of the close cooperation of the executive and judicial branches. However, the legislative branch, the National Congress in particular, continued to be rather inactive, even aggressive towards the civil and human rights of the LGBTQ+ communities(Castle 2008). The crucial aspect for any progress was the sturdy support of Brazilian LGBTQ+ civil right organizations. Many of these organizations argues that the government of Brazil has to accept the global tendency of acknowledging LGBTQ+ rights as basic civil liberties (Moreira 2012), in order for any differences to occur. These combined efforts of national non-governmental organizations, for example, Grupo Gay da Bahia and Associação Brasileira de Gays, Lésbicas, Bissexuals Travestis e Transsexuals (ABGLT),  was started in the beginning of the century and initially resulted in placing Brazil on a dominant position in the worldwide, local, and state domains as a supporter of the basic rights of the members of the LGBTQ+ minority groups (Friedman 2009).

In spite of the insufficient amount of federal regulations that would protect LGBTQ+ individuals from violence and social stigma, a vast majority of local institutions have introduced various safety regulations specifically for these communities. These regulations prohibit intolerance on the basis of the sexual orientation and gender identity; in addition, these strategies are expected to offer the same admission to governmental service areas as the heterosexual population. The primary instances of these programs can be grasped in the states of Bahia (1997), the Brasilia Federal District (2000), Rio de Janeiro (2000), and Sao Paulo (2001)(Castle 2008). Moreover, as it was distinguished by the 2016 Human Rights Campaign report, the insufficient amount of centralized antidiscrimination securities and hate crime regulations for the brutal actions on the basis of the sexual orientation and gender identity exemplifies a significant breach with regard to the protection of the LGBTQ+ minority groups and trans women as well on the state level. 

In the case of violence and discrimination of the LGBTQ+ communities in Brazil, homophobia and transphobia have usually functioned as a prevention of the efficient endorsement of social responsibilities and citizenship for the members of the LGBTQ+ population along with the fight against anti-LGBTQ+ brutality. Although Brazil is known for one of the finest legal securities on the planet, the studies on the actual experiences of trans women and other representatives of LGBTQ+ minority groups demonstrates that these groups of population are forced to deal discrimination and brutality on a daily basis up to the present moment (Nardi 2006). In the long run, this breach plays a significant role in the constant matter of violence against LGBT population in Brazil (Nardi 2011).

Furthermore, according to the recent research on the subject of transgender community in Brazil, trans women in this country are usually involved in professions with high risks, for example, sex and entertainment industries, which is in high demand in Brazil. Trans women who are working in these areas have a tendency of being more susceptible to due to increased levels of distinguishability and personal exposure in the framework of these industries. As it has been demonstrated in recent research, transgender men and women are usually employed in these activities because of the challenges that are connected to entering other labor markets or even receiving education in Brazil. Apart from the social stigma that transgender women and men have to face on a daily basis, their experience in the workforce can also be tainted by the labor cards of transgender Brazilian citizens, where there is an apparent dissimilarity between the photo on the card and their personal look. This can stop transgender men and women from gaining all necessary permits for being officially employed in other industries (Nardi 2006).

The explanations for discrimination and violence that the LGBT communities are constantly facing in Brazil can be connected to the fact that the public programs and social policies, which are initially expected to endorse equal opportunities for this group of population, are not efficient. The existing strategies that are currently in practice are not correctly applied, nor are they financed and spread by the administration. By the means of the implementation of an arrangement of all-inclusive strategies, which have to be applied all at once for them to be efficient, the overall amount of violence and discriminations that the LGBT minority groups and trans-women in particular experience on a daily basis can be decreased in this country. These strategies can include the following: 

(1) criminalization of homophobia and transphobia;

(2) implementation of the educational initiatives for police workers and the members of general population that will be expected to inform the community on the subject of the LGBT minority groups; 

(3) establishment of the specialized police stations for the members of the LGBT communities; 

(4) increase of the amount of recommendation centers for the members of the LGBT minority groups all over the country. 

Expression of identity closely correlates to the rights allocated to queer individuals. Based on dominant society, identification can operate as a blueprint for the accessibility of rights. Identity is a concept severely attributed to one’s role in society. In spaces that reject the expression of queer identities, it can be difficult for individuals to grow and prosper. “The construction of identity has been interpreted in different ways through history, and it has had a strong impact in the development of different theories of rights. In human rights history, one can distinguish at least three definitions of identity: an apparently abstract individual identity, binary individual identities, and circumstance-based yet non-determinist identities” (Ikawa 2014). 

         As queer identifying individuals, trans women have not been historically protected by legislation. Access to health care and benefits has been scarce for trans people, more specifically black trans women. So the notion of identity continues to manifest as a marker of social mobility and recognition. Since Queer people are a marginalized population, their identities can be lost within the constructs of dominant society. In Bahía Brazil, LGBTQ people are condemned by hegemonic society. 40% of the LGBTQ murders in the world occur in Brazil and Bahia is the second state of Brazil that has the highest rate of murder for LGBTQ people (Julho Das Pretas). The high murder rate makes the public expression of queer identity life threatening for LGBTQ people in Bahía.

 However, in the absence of public safe space, there are hidden places where LGBTQ individuals can openly express their identity. Spaces such as Capoeira houses in Rio Vermelho, Salvador practice ideas of tolerance and gender inclusivity. Tati Piment, a lesbian capoeirista and member of this Capoeira house explained her personal experience as a queer woman in Brazil. She mentioned that her family consisted of herself and three other lesbian sisters. (Piment 2017) “My mother was afraid for me,” she said, “but she got used to it over time.” (Piment 2017) The issue of family acceptance is another factor LGBTQ+ individuals have to deal with. There are some individuals, such as Tati, who have a fairly easy time coming out to their families. Tati did not go into depth of her experience, but she displayed a hue of confidence that was surely present when she told her mother about her identity. Tati’s ability to be unrestricted to her identity, both at work and home, has proved to be beneficial for her. Unfortunately, not many LGBTQ+ individuals share the same case. There is still rampant homophobia and transphobia within Brazil, mostly stemming from conditioned values from past generations. Many people have to stay in the closet and hide their identity solely to survive.  

The interest of leaving the closet or coming out is integral in the development of queer identity within communities of color. One study by Aryel Ken Murasaki and Sandra Maria Galheigo on homosexuality and diversity in Brazil aimed to uncover the, “perceptions and representations of young people about the process of assuming their homosexuality and about the impacts on their daily life, regarding autonomy, inclusion and social participation” by using research to explore queer youth and their social networks.  “It is relevant to highlight the importance of the next social network for the process of leaving the closet. Especially in the family, school, work and social and cultural spaces” (Murasaki and Galheigo 2016). The act of coming out is used to affirm queer identity. In social spaces it can signify the assertion of individual queer identities under a heteronormative hegemony. For many LGBTQ+ individuals, coming out is like a sigh of relief, a moment where they feel the weight of hiding their sexual identity, off of their shoulders. 

Queer identity is a multifaceted phenomenon that has been called into question by many marginalized groups resisting oppression against sexual minorities in Brazil. At times there can be discernment of members within the queer community. In May of 2000 in the city of Sao Paulo, the Lesbian Movement of Camphinas, asserted their concerns in the context of an environment dominated by gay men: “Several women claimed that gay men who cared little about “lesbian concerns” often, if not always, dominated mixed groups. Their experiences echo, on the practical level, that ‘we cannot assume that men and women, specifically gay men and lesbians, experience the same ‘comforts’ or the same injustices’” (Castle 2008). Although these women were parts of a larger LGBTQ group, they faced male dominated oppression in the margins of this disenfranchised group. Their identities as lesbian women were invalidated in the context of a resistance led by LGBTQ people and dominated by gay men. Thus, the notion of justice for queer people is a complex idea that can be lost in larger efforts for resistance based on what identities are perceived as valid by hegemonic and marginalized groups. Although queer people have been publicly shamed for their identity, queer culture has heavily impacted heteronormative spaces in Brazil. 

In the context of a society that is intolerant of marginalized identities, there are spaces created to build communities in resistance to hegemonic society. Spaces like these perpetuate the importance of values such as education and health to aid in the social mobility of oppressed groups.  One example of a safe space is an organization called Bahia Street based in Salvador da Bahia, Brazil. Bahia Street, founded in 1996, was created to provide young Brazilian black girls  and LGBTQ+ members with a structured support system outside of school, with one of the main goals being to ultimately keep them in school. In this way, the program exists to uplift and further these communities. In addition to serving as a support system, Bahia Street also provided sex education and regular meals to the people who attend the program, which meets from Monday through Thursday. The Founding Director, Rita Conceição, explained how Bahia Street tackled the task of helping to convince individuals that they were beautiful. Conceição explained that, by providing these people with a supplementary educational and support system, they would be able to begin to see their inherent value. (Conceição 2017) Bahia Street has been successful in providing many of their participants with the support that they need in order to graduate from high school, and eventually, college. Conceição proudly mentioned that many Bahia Street alumni return to lead activities with the younger members. (Conceição 2017)

In addition to legal efforts, there are also attempts to battle complacency within the Brazilian government through the internet. (Lopes 2017) The country’s LGBTQ+ Alliance has launched a website called “Whom has homophobia killed today?”, in which there is a statistical survey of fatal victims of homophobic and transphobic crimes. (Lopes 2017) For ten years it has kept daily track of any targeted members of hate crimes in Brazil and maintains in-depth statistics. The website also has additional resources for the community, such as readings, memorials dedicated to the victims, films, and special events.  This website is an example of how the general public is making efforts to fight against the difficulties the LGBTQ+ community faces. This website was started by Eduardo Michels, a lawyer and activist known to advocate in favor of LGBTQ+ human rights, with the help of militant members, group administrators and NGO’s. He has created an influential platform that holds Brazil accountable for the maltreatment of their citizens. 

Despite dominant society restricts the rights and education of these people, there are several groups present for community building and groups that practice resistance against these realities. There are safe spaces and citizens making an effort to combat the immense oppression faced by queer identifying individuals. Condemned violence against the queer community in Brazil will continue to be severely addressed by organizations and groups that challenge the authorities. There will always be a demand for the law; the law that rightfully defends the virtuous lives of the marginalized Brazilian LGBTQ+ community. 

Source Based Essay

Black Representation In-Front and Behind the Camera

The subject of diversity in Hollywood films is constantly sought after, however, the industry is still dallying in the proper inclusion of diverse groups in film and television. In this article, the subject of the black presence in Hollywood is thoroughly analyzed by several sources. The sources within this rhetorical analysis all share a common purpose—to inform society what representation can do for Hollywood and the positive impact it could easily impose but has yet to achieve.

In The New York Amsterdam News article “Black is the new black” written by DavidGoodson, a journalist for the Nightlife column in the New York Amsterdam News and additionalcolumns following black entertainment and media. Readers are notified of Marvel’s BlackPanther success in the box office and widespread phenomena despite the racist comments made regarding the film. Goodson begins his column with a recollection of a racist incident that occurred on 167th Street, his childhood neighborhood in the South Bronx. Goodson creates an ideal introduction, one that can immediately hook in The New York Amsterdam News’ intendedaudience—the black residents of New York City. The audience is familiar with areas such as 167th Street and can maybe even relate to the incident, which was a Chinese food restaurantposting a makeshift flyer that read “3 Wings, french fries and soda. $2.00 Black History Month Special!” (Goodson, “Black is the new black”)

The tone of Goodson’s article is immediately intimate and solemn, as he quotes directracist comments made about the film, such as “…the blackness had really made me drowsy[..]” and “When I entered the theatre, a bunch of Black people was fighting in the night” (Goodson, “Black is the new Black”). However, there is a shift when he begins to discuss the outstanding global ticket sales Black Panther made, making it the third highest-grossing film in the history ofAmerica. About himself being offended by the racist incidents, he writes, “Maybe 50 cent said it best. ‘If they hate, let ‘em hate, but watch the money pile up.” (Goodson, “Black is the new Black”)Goodson switches to a hip-hop cultural reference, 50 cent’s iconic song “In Da Club”,which creates a sense of connection and nostalgia for the readers.

This newspaper article is a genre established by its audiences’ need to learn about currentmovies and entertainment, especially a film by a black director with an all-black cast. A short, easy-to-read column in the newspaper is a great way to quickly grab the readers’ attention. Themedium of this writing is conveyed through the newspaper and its circulation throughout Harlem.

The author maintains a socially aware stance throughout his article by reflecting on the despair that stems from being discriminated against but also reclaims achievement by highlighting Black Panthers’ financial success and cultural phenomenon. He reinforces the importance of diversity in film and its power to transfer into everyday life. In addition to his stance, he maintains a relaxed but formal language that can transfer to the audience, even endingthe article with “Over and out. Holla next week. Till then, enjoy the nightlife”. Goodson intendsfor his audience to feel comfortable with him and trust his writings by using certain slang. He creates a persona through his choice of language, one that can keep his readers coming back for more.

In the Filmic Conception of the Black Female, Manatu-Rupert analyzes the stereotypical depiction of black women as overly promiscuous. Starting with the origin of the stereotype, she asserts that the view of black female sexuality has a foundation in slavery, in which blackwomen were seen as “objects of sexual gratification.” (Manatu-Rupert, 45) Manatu-Rupert goes further by analyzing two films from the 1980s that depict black women in the same stereotyped depiction: She’s Gotta Have It and Lethal Weapon. The author is an assistant professor ofspeech, communication and media studies at John Jay College of Criminal Justice, meaning that her audience can include a range of people. The audience can consist of students in her class, students within the CUNY system, other professors, and individuals conducting research.

The tone of this scholarly article follows a formal, academic language. Manatu-Rupert maintains an objective tone throughout her writing, but at the end, writes “A cynic might ask, of what use if a lens that exacerbates misperceptions?… As a black woman, I have sunk too far into cynicism to know,” (Manatu-Rupert, 50) which strays the impartial tone she set throughout the rest of the paper. However, it does not make the article any less insightful. As a black woman writing about how black women are depicted in films, she appropriately inserted her view of the subject at hand. As for purpose, the author wants to inform her audience and highlight a specific trope in the film world. The article also can create discussion, as the film is often subjective and can be interpreted in different ways.

The genre of The Filmic Conception of the Black Female is a scholarly journal article. It seemingly developed from certain negative stereotypes of black women being depicted in filmswithin the ’80s and her need to highlight the issue. The medium of this writing is conveyedthrough Qualitative Research Reports in Communication, which is convenient access for her intended audience.

In the article “What I Learned From Token Black Character in Teen Movies”, the author,Vanessa Willoughby reflects on her experience of growing up with a stereotypical trope of black women in film and television. She recalls growing up in the suburbs as the token non-white family in the neighborhood and attending an all-white school with people who assumed she shared the same teenage experience. (Willoughby, “What I Learned From Token BlackCharacters in Teen Movies) With films being a part of one’s upbringing, Willoughby recalls, as ateen, consuming movies solely made for her white counterpart. When a black character didappear, it was often a “token” role, in which the black character acts like a stereotypical representation of the entire race. She provides several examples of films released in the ’90s thatfeature token black characters that seemingly never evolve. Vanessa Willoughby is a freelance journalist and writer, who contributes her work to Vice Magazine occasionally. Because of ViceMagazine’s edgy, taboo, and sophomoric topics, the audience may mostly be made up ofmadolescents.

The tone of the article is candid and reflective. Willoughby keeps a nostalgic quality throughout her text as she reflects iconic 90’s/2000’s movies such as Clueless, She’s Gotta Have It and Bring It On. She writes, “For me, Dionne was a new kind of black girl on film: one who refused to sacrifice her backless to fit in…Dionne’s character agitated the boundaries aroundblack women in pop culture quite a bit showing how wildly different the black teen experiencecan be.” (Willoughby, “What I Learned From Token Black Characters in Teen Movies) Through her words, we can see the effect Dionne’s opposing portrayal had upon Willoughby. She shows that she was finally able to relate to and admire a black female figure that was more than the token black character—Dionne, for Willoughby and many black girls alike, was a positive reinforcement of how black girls are more than the harmful, racist stereotypes that have been embedded in media and real-life.

The genre of this magazine article can be described as feature writing. Feature writing is a form of journalism that aims to explore a topic and provide new perspectives on an issue. In this case, Willoughby provided her viewpoint of how evolved black characters in the film impacted the everyday truths of her life. The medium is distributed through Vice Magazine.

Willoughby provides a critical stance on the lack of diversity in films. However, the critical stance is quite fair, in terms of her being a black teen that is forced to engage in whitewashed television and film. In atopic discussing race and diversity, there is no room to beneutral, which makes Willoughby’s stance valid and understandable. Due to the audience, the language she uses is moderate. She mentions films that have a cult following, which makes reading the article more enjoyable because readers can refer back to their viewing of the film and their opinion of it, while also applying Willoughby’s critiques.

For Black History Month, Tribeca Film Center’s website paid a tribute to black women directors through the article “ A Guide To Essential, Underrated, And Flat-Out ExtraordinaryFilms by Black Women Directors” by Matthew Eng.

Matthew Eng is a featured writer within Tribeca Film Center’s site, often composingarticles that highlight minority women in film and television. The audience intended for TribecaFilm Center’s website is film lovers, film critics, journalists, and other employees of the film institute. The genre of this article is composed mostly of a list, which makes it ideal for its audience. A list is easy to peruse through, with short blurbs that quickly allow readers to decide what film they would like to watch. The medium is delivered through a website, which grants easy access to the content.

The laudatory tone of the article is ultimately set through the preface-like introduction written in the beginning. Eng starts with a reference to the artist Solange’s lyric “I can’t be a singular expression of myself,” (Eng, “A Guide to Essential…) stating he returned to the lyric towatch and revisit the films of black women directors who have permeated boundless careers. By referring to Solange, Eng is successfully drawing in a modern audience with a contemporary mention of popular artists. He uses analytical and reverent language to highlight the works of the directors while supporting the stance that the most promising connection between these directors is that “they share daring artistry.” (Eng, “A Guide to Essential…) The purpose of this article is toaccentuate directors who have been often overlooked due to their race and gender. While some of the directors featured on the list have received proper acknowledgment and praise, there is still a multitude of others who deserve the same recognition but fail to be given the accolade due toHollywood’s uniformity.

In the New York Times article ‘’’They Set Us Up to Fail’: Black Directors of the ‘90s Speak Out” readers get an immersive dialogue between several black directors and their experience in the film industry. The author, Reggie Ugwu, is a pop culture reporter who covers multiple topicsranging from film to internet culture. Because of the New York Time’s incredible history and impact on journalism, there is a range of people who would possibly read this article. From film buffs to people who peruse through NYT articles on their morning commute, it is difficult to pinpoint the main demographic of the audience.

Ugwu sets the article by providing readers with some additional background of how American production companies suddenly became interested in diverse, new stories. He refers toearlier New York Times articles such as “In Hollywood, Black is In” and “They’ve Gotta Have Us,” (Ugwu, ‘They Set Us Up to Fail’) both written in the early ’90s, which discusses the

optimism Hollywood and minorities had in terms of having a platform with moral, financial and empowering benefits for black filmmakers. The tone of the article changes soon after Ugwu presents the aftermath of the so-called optimism, in which the interest in black filmmakers decreases and the people who were recognized for altering the industry could not move forward in their careers.

Ugwu’s purpose in writing this article stems from the continuous lack of diversity in Hollywood. Although the lack of inclusion and equal treatment for black people in the film hasbeen an issue for decades now, it seems to constantly get ignored. Ugwu’s purpose is set even more clearly as he provides excerpts from the direct conversion of the black filmmakers whofaced the consequences of Hollywood’s refusal to adjust their system. By using these directors’genuine thoughts and sayings, Ugwu is appealing to his readers through their emotions. The words of the directors are filled with sentiment—one describes how she was blacklisted from Hollywood for speaking out on persistent racism and misogyny, one described how he had to change his entire career and divert from his true passion of filmmaking. Ugwu could have summarized their words and thoughts altogether, but the effect of direct quotes and dialogue is far more powerful.

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